Improved mplay in many ways:

• The frame range of images in now what you would expect whentyping the files on the command line, rather than the wholeframe range.
• Gamma has been added to the color controls. As well, gamma maybe adjusted when saving files.
• Images and full sequences can be saved out from mplay.
• The Houdini image search path is used when loading files.

Improved mplay in many ways:

• The frame range of images in now what you would expect whentyping the files on the command line, rather than the wholeframe range.
• Gamma has been added to the color controls. As well, gamma maybe adjusted when saving files.
• Images and full sequences can be saved out from mplay.
• The Houdini image search path is used when loading files.

Improved mplay in many ways:

• The frame range of images in now what you would expect whentyping the files on the command line, rather than the wholeframe range.
• Gamma has been added to the color controls. As well, gamma maybe adjusted when saving files.
• Images and full sequences can be saved out from mplay.
• The Houdini image search path is used when loading files.

Improved mplay in many ways:

• The frame range of images in now what you would expect whentyping the files on the command line, rather than the wholeframe range.
• Gamma has been added to the color controls. As well, gamma maybe adjusted when saving files.
• Images and full sequences can be saved out from mplay.
• The Houdini image search path is used when loading files.

The Brush SOP has been replaced by the Paint, Sculpt and Comb SOPs, which provide specific behaviour without the kitchen sink of options. The Sculpt SOP has the modelling operations - deform (which now works with arbitrary axes), smooth, and the combination smooth deform. The Paint SOP can also work with arbitrary attributes, and generate new attributes if desired.

The Brush SOP has been replaced by the Paint, Sculpt and Comb SOPs, which provide specific behaviour without the kitchen sink of options. The Sculpt SOP has the modelling operations - deform (which now works with arbitrary axes), smooth, and the combination smooth deform. The Paint SOP can also work with arbitrary attributes, and generate new attributes if desired.

The Brush SOP has been replaced by the Paint, Sculpt and Comb SOPs, which provide specific behaviour without the kitchen sink of options. The Sculpt SOP has the modelling operations - deform (which now works with arbitrary axes), smooth, and the combination smooth deform. The Paint SOP can also work with arbitrary attributes, and generate new attributes if desired.

The Brush SOP has been replaced by the Paint, Sculpt and Comb SOPs, which provide specific behaviour without the kitchen sink of options. The Sculpt SOP has the modelling operations - deform (which now works with arbitrary axes), smooth, and the combination smooth deform. The Paint SOP can also work with arbitrary attributes, and generate new attributes if desired.

The Brush SOP has been replaced by the Paint, Sculpt and Comb SOPs, which provide specific behaviour without the kitchen sink of options. The Sculpt SOP has the modelling operations - deform (which now works with arbitrary axes), smooth, and the combination smooth deform. The Paint SOP can also work with arbitrary attributes, and generate new attributes if desired.

The variable to control threading in the IMG library was changed from SESI_THREAD_NOIMG to HOUDINI_THREAD_IMAGE. The sense of the variable was also changed so that threading is turned off by default. This doesn't affect COP2, but will affect the old composite operators and most noticably, ipaint.

The variable to control threading in the IMG library was changed from SESI_THREAD_NOIMG to HOUDINI_THREAD_IMAGE. The sense of the variable was also changed so that threading is turned off by default. This doesn't affect COP2, but will affect the old composite operators and most noticably, ipaint.

The variable to control threading in the IMG library was changed from SESI_THREAD_NOIMG to HOUDINI_THREAD_IMAGE. The sense of the variable was also changed so that threading is turned off by default. This doesn't affect COP2, but will affect the old composite operators and most noticably, ipaint.

The variable to control threading in the IMG library was changed from SESI_THREAD_NOIMG to HOUDINI_THREAD_IMAGE. The sense of the variable was also changed so that threading is turned off by default. This doesn't affect COP2, but will affect the old composite operators and most noticably, ipaint.

The variable to control threading in the IMG library was changed from SESI_THREAD_NOIMG to HOUDINI_THREAD_IMAGE. The sense of the variable was also changed so that threading is turned off by default. This doesn't affect COP2, but will affect the old composite operators and most noticably, ipaint.

When objects of the same name were in different sub-networks, the renderer got confused as to which object was being referred to. For objects in sub-networks, the name passed to the renderer now includes the full path without the leading "/obj/". When dealing with objects in subnetworks, this is the name which should be used when specifying visible objects. For example: *,^s_windmill1/* will match all objects except for the objects contained in s_windmill1. Note that the pattern: s_windmill1 will not cause the objects in the subnet to be rendered, the asterix must be specified in the pattern.

When objects of the same name were in different sub-networks, the renderer got confused as to which object was being referred to. For objects in sub-networks, the name passed to the renderer now includes the full path without the leading "/obj/". When dealing with objects in subnetworks, this is the name which should be used when specifying visible objects. For example: *,^s_windmill1/* will match all objects except for the objects contained in s_windmill1. Note that the pattern: s_windmill1 will not cause the objects in the subnet to be rendered, the asterix must be specified in the pattern.

When objects of the same name were in different sub-networks, the renderer got confused as to which object was being referred to. For objects in sub-networks, the name passed to the renderer now includes the full path without the leading "/obj/". When dealing with objects in subnetworks, this is the name which should be used when specifying visible objects. For example: *,^s_windmill1/* will match all objects except for the objects contained in s_windmill1. Note that the pattern: s_windmill1 will not cause the objects in the subnet to be rendered, the asterix must be specified in the pattern.

When objects of the same name were in different sub-networks, the renderer got confused as to which object was being referred to. For objects in sub-networks, the name passed to the renderer now includes the full path without the leading "/obj/". When dealing with objects in subnetworks, this is the name which should be used when specifying visible objects. For example: *,^s_windmill1/* will match all objects except for the objects contained in s_windmill1. Note that the pattern: s_windmill1 will not cause the objects in the subnet to be rendered, the asterix must be specified in the pattern.

When objects of the same name were in different sub-networks, the renderer got confused as to which object was being referred to. For objects in sub-networks, the name passed to the renderer now includes the full path without the leading "/obj/". When dealing with objects in subnetworks, this is the name which should be used when specifying visible objects. For example: *,^s_windmill1/* will match all objects except for the objects contained in s_windmill1. Note that the pattern: s_windmill1 will not cause the objects in the subnet to be rendered, the asterix must be specified in the pattern.

Fixed a problem with wren that produced small breaks in lines.

Fixed a problem with wren that produced small breaks in lines.

Fixed a problem with wren that produced small breaks in lines.

Fixed a problem with wren that produced small breaks in lines.

Fixed a problem with wren that produced small breaks in lines.

The Capture page under the Bone object's parameters dialog now only shows the parameters that are relevant to the bone's capture type. They change when you change the capture type.